Rabu, 30 November 2011

[Y749.Ebook] Get Free Ebook When Someone Very Special Dies: Children Can Learn to Cope with Grief (Drawing Out Feelings Series), by Marge Heegaard

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When Someone Very Special Dies: Children Can Learn to Cope with Grief (Drawing Out Feelings Series), by Marge Heegaard

A practical format for allowing children to understand the concept of death and develop coping skills for life.

  • Sales Rank: #78885 in Books
  • Brand: Woodland Press
  • Published on: 1996-07-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.64" h x .12" w x 11.12" l, .33 pounds
  • Binding: Paperback
  • 32 pages
Features
  • Great product!

From the Back Cover
This book was designed to teach basic concepts of death and help children understand and express the many feelings they have when someone special dies. Communication is increased and coping skills are developed as they illustrate their books with their personal story.

About the Author
Heegaard is a licensed independent clinical social worker and a registered art therapist.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Good book for grief
By ERIKA DIAZ
I love this book so far. I am a counselor at a school and we recently had a former student pass that still has siblings and cousins in our school. This book goes through the basic lifecycle and talks about the natural process of death. It has lots of pages for drawing out their feelings too. I would recommend this book to fellow counselors looking to process death with clients.

0 of 0 people found the following review helpful.
I would highly recommend this booklet
By Dancing Girl
I bought this for my ten year old daughter when her mom passed away. We use this activity book often. It allows her to express her emotions through writing and drawing. It provides opportunities to discuss feelings and her thoughts. I would highly recommend this booklet.

0 of 0 people found the following review helpful.
Good book
By kait_wils
This workbook allows the child to express emotions through narrative and art therapy. My book was used and already written in which is why it only got a 4.

See all 36 customer reviews...

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Sabtu, 26 November 2011

[X199.Ebook] Download Ebook Lowriders in Space (Book 1), by Cathy Camper

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Lowriders in Space (Book 1), by Cathy Camper

Lupe Impala, El Chavo Flapjack, and Elirio Malaria love working with cars. You name it, they can fix it. But the team's favorite cars of all are lowriders—cars that hip and hop, dip and drop, go low and slow, bajito y suavecito. The stars align when a contest for the best car around offers a prize of a trunkful of cash—just what the team needs to open their own shop! �Ay chihuahua! What will it take to transform a junker into the best car in the universe? Striking, unparalleled art from debut illustrator Raul the Third recalls ballpoint-pen-and-Sharpie desk-drawn doodles, while the story is sketched with Spanish, inked with science facts, and colored with true friendship. With a glossary at the back to provide definitions for Spanish and science terms, this delightful book will educate and entertain in equal measure.

  • Sales Rank: #15983 in Books
  • Published on: 2014-11-04
  • Released on: 2014-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .50" w x 7.50" l, .0 pounds
  • Binding: Paperback
  • 112 pages

From School Library Journal
Gr 4–8—Camper introduces readers to Lupe Impala, Flapjack Octopus, and Elirio Malaria, three friends who love working with cars and dream of having their own garage shop. One day they see an opportunity to achieve their goal—a car competition where the prize is a "carload of cash and a solid gold steering wheel." When they start working on a lowrider to prepare it for the competition, an out-of-this world journey begins. Through anthropomorphic characters, the author narrates a tale of friendship, teamwork, and the passion for lowriding. She incorporates astronomy to this adventure, providing readers the opportunity to familiarize with terms from both worlds. Ra�l the Third's colored pencil-and-marker illustrations effectively depict images from the lowriding subculture, while including references from Mexican pop culture, such as the iconic comedian Cantiflas and Chespirito's El Chavo del Ocho. The way he alternates among full-page artwork, spreads, and non-rectangular panels works well with the story and strongly supports its visual understanding. However, although it is true that some Latinos code-switch in their conversation, the use of Spanish words didn't feel organic to the story. There is also inconsistency in the use of accents, and footnotes that point readers to phrases and word meanings are explained as "nonsense words in Spanish," when that's not necessarily the case. Lowriders in Space fills a gap of Latino graphic novels for kids, and its quirky characters and illustrations have the potential to engage children. Let's hope that future installments will have a more accurate and natural use of Spanish. A helpful glossary of astronomy and lowriding terms is appended.—Sujei Lugo, Somerville Public Library, MA

Review
"A fanciful story wonderfully illustrated by Ra�l the Third."--The New York Times

"A fun and educational (don't tell the kids!) text for young readers."--Sense and Sensibility and Storeies

"We need Low Riders in Space out there now. It's cool and funny and original. AND it fills a huge need for books about Latino culture."--Jon Scieszka, bestselling author of The Stinky Cheese Man

"This buoyant graphic novel highlights lowrider culture with all the flair the subject deserves."--Bulletin of the Center for Children's Books, starred review

"This book was created to celebrate the creativity and ingenuity of the lowrider culture."--Library Media Connection

"Thanks to writer Cathy Camper's passion for science, and Raul inventive drawings, this kid's graphic novel about creatures (Lume Impala, El Chavo Flapjack and Elirio Malaria) who pimp their rides will make adults steal the book from children."--Entertainment Weekly, The Must List

"Roars with high-octane energy, in both the artwork and the prose."--Common Sense Media

"Readers will rejoice in their triumph. As a celebration of Latino lowrider culture, too, it's estellar."--Publishers Weekly, starred review

"Only from the inventive mind of writer Cathy Camper could come such genius: A book for kids that has it all-kooky characters, cool cars and . . . outer space, no less! Not to mention a high-interest graphic-novel form, full of hip and hop, sure to grab the wits of the most reluctant of readers." - Megan McDonald, bestselling author of the Judy Moody and Stink series

"One of the most delightful comics to come out this year."--Brigid Alverson, Good Comic For Kids, a School Library Journal blog

"Lowriders in Space is a beautifully imagined graphic novel that will spark young readers' imaginations while broadening their understanding of language. The art is inspired, the story fantastic, and together they make a truly magical tale."--Mat Johnson, author of Incognegro and Pym

"Lowriders in Space is FAR OUT, and the illustrations are OUT OF THIS WORLD. Love this graphic novel. �Muy buena!"--Amy Sedaris

"It's fun, it's silly, it's totally cool."--Amy Cheney, School Library Journal

"Intricate ballpoint pen illustrations by Raul the Third could be pored over for hours."--St. Louis Post-Dispatch

"Incredibly fun ."--The Planetary Society

"From the 'hood to the Hollywood Hills and the projects to the Poconos, Cathy Camper and Ra�l the Third's thrilling interstellar adventure is sure to put a smile on the face of any kid and any parent. I love Lowriders in Space!" --Davy Rothbart, author of My Heart Is an Idiot, creator of FOUND magazine, and contributor to This American Life

"Celebrates the artistry and inventiveness that goes into modifying and customizing cars . in space!"--Geek Dad

"Brings together Hispanic lowrider culture with astronomy and aeronautics for one wild ride."--Publishers Weekly

"A rollicking ride that's totally cosmic and caliente. In other words, this lowrider delivers!"--Good Reads with Ronna

"A joyous, celebratory tale."--Latinos in Kid Lit

"A highly entertaining and culturally authentic romp."--Kirkus Reviews, starred review

"A fantastic voyage for the ages. Your graphic novel section needs this."--Travis Jonker, 100ScopeNotes

About the Author
Cathy Camper is a librarian focusing on outreach to schools and children in grades K-12. She lives in Portland, Oregon.

Raul the Third teaches classes on drawing and comics for kids at the Museum of Fine Arts and the Institute of Contemporary Art. He lives in Boston, Massachusetts.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Interstellar Daydreams Come to Life in Pen and Ink.
By ASIC Engineer
Like a Chitty-Chitty Bang Bang taking place in the southwest US (or is it northwest Mexico). Upbeat fantastical humor and imagery. The colorful, high-energy drawings keep the fantasy alive and driving forward. There is no surprise at the end, but it doesn't matter, these are like the day dreams of every kid as they tighten the bolts on their bicycle or hammer together two boards in the basement. "What if I could make this thing fly..."

Seems at a level for older elementary school age to read themselves or younger elementary to have read to them. Or, jackpot, if your middle or high school-er to reads it to the younger kids of your posse. The spectacular drawing will keep even the youngest paying attention even if they don't understand all the words and ideas the first time through.

1 of 1 people found the following review helpful.
Kid readers will be cheering and will love the comics-style art
By Latinxs in Kid Lit
Look in the children’s section for graphic novels from the Latino perspective and you’ll find precious few choices. Look there for books about lowriders and your choices will be still slimmer. Here is Lowriders in Space, ready to fill both spots with a joyous, celebratory tale. You don’t need deep knowledge of the lowrider culture to appreciate this middle-grade graphic novel, brought to you by the author-illustrator team of Cathy Camper and Ra�l the Third.

In the opening pages, we meet three animal characters with Spanish names, all of whom work for a car-repair shop. The shop is called Cartinflas, and this is just one of many playful allusions and verbal jokes in this book. (Cartinflas plays on the name of the famous Mexican comic actor, Cantinflas.) Lupe Impala, (a wolf) busts gender stereotypes as a female lead who knows her way around car engines. Her sidekicks, the octopus El Chavo Flapjack and the mosquito Elirio Malaria, each specialize in key aspects of automobile revamping in the lowrider style. Elirio’s fine-tip proboscis doubles as a paintbrush that turns out the sweetest racing stripes and airbrushed scenes you could imagine. El Chavo’s eight tentacles go to work washing, polishing and buffing cars to a high sheen.

The trio dream of going into business for themselves, but where will they find start-up money? A car competition with a hefty cash prize gives them hope, but there are tough challenges to meet. First, they must find a car to work their magic on. They settle for a rusty heap sitting on cinder blocks. Now for car parts. At an abandoned airplane factory, they pick up mini air compressors and a box of rocket equipment. After attaching the parts, they’re in for a surprise when Lupe cranks the engine and it launches the car into the stratosphere. High above the earth, the car gears down into bajito-y-suavecito mode, low and slow: this is the cruising speed that lets low riders see and be seen. While the transformed auto travels outer space, it takes on loads of flash and bling borrowed from stars, asteroids and others elements of the galactic realm.

There’s much to love in this kid-friendly graphic novel. The story arc follows a familiar trajectory: the protagonists meet every challenge successfully and win the sought-after prize. Kid readers will be cheering. But my hat’s off to Cathy Camper for elevating the storyline above the predictable. She does this through original settings and characters, including the lowrider car itself, and with the inventive twists of space travel and comical astronomy. Her text engages the ear with musical language that includes alliteration, onomatopoeia, and bursts of G-rated street slang in English, Spanish, and Spanglish.

Kids will eat up the comics-style art. Every page offers levels of visual puns and charming details that invite readers to study panels closely. The color scheme and the drawings give off a retro historieta vibe, fitting for a story about lowrider culture, which was born in the 1950s and is rooted in the Mexican American community. I’m not familiar with the ballpoint-pen doodle style that Ra�l the Third credits as his inspiration, but I dig it!

1 of 1 people found the following review helpful.
THE LEAD MECHANIC IS A WOMAN !!!
By Robin Leigh Morgan
The following review is my honest opinion for an ARC of this book I won in a giveaway on GoodReads.com

One of the reasons I decided to enter the drawing for this book is that the book is in reality a comic book. As any child of the 1950’s can recall, comics played a major part of what we read; as well as being something we’d used a part of our allowance each month for. Comics were broken down by sex; while the boys had their Superman, Batman, etc comics, the girls had their comics from the Archie series of comics: Archie, Jughead, and Betty and Veronica.

“Lowriders in Space” succeeded in bringing me back to those days of my youth, with it being a comic with a more adult storyline. I found the book interesting because it dealt with two elements which are not usually found in literature. The first is the topic of the storyline, the building of a lowrider. Lowriders are unique to the Mexican�-America culture of Southern California are personally modified cars, usually junkers, built to ride closer to the ground than regular car and had been made for cruising rather than for racing. These cars built by teams then get enter into competition for the glitziest, uniqueness, etc car.

The second element deals with women in non-traditional roles, and the one in this book is that of the lead mechanic of the team which built the winning entry for the competition the book deals with to win a carload of cash and a solid gold steering wheel. Not only did the car run after they were finished with it, it also wound up launching itself into outer space.

For its unique storyline which crosses genres and what I’d mentioned in the above, this book definitely deserved the 5 STARS I’m giving it.

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Minggu, 13 November 2011

[J180.Ebook] Free Ebook The Origin of Consciousness in the Breakdown of the Bicameral Mind, by Julian Jaynes

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The Origin of Consciousness in the Breakdown of the Bicameral Mind, by Julian Jaynes

At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion -- and indeed our future.

  • Sales Rank: #44528 in Books
  • Color: White
  • Brand: Jaynes, Julian
  • Published on: 2000-08-15
  • Released on: 2000-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.25" w x 6.00" l, 1.38 pounds
  • Binding: Paperback
  • 512 pages

From The New Yorker
"When Julian Jaynes . . . speculates that until late in the twentieth millennium b.c. men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis."

Review
"When Julian Jaynes . . . speculates that until late in the twentieth millennium b.c. men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis." -- John Updike The New Yorker

About the Author
Julian Jaynes (1923-1997) achieved an almost cult-like reputation for this controversial book, which was his only published work.

Most helpful customer reviews

550 of 573 people found the following review helpful.
Intriguing
By Evelyn Uyemura
First of all the book was copyrighted in 1976 and apparently first published in 1982. That is eons ago in the science of cognition and brain imaging. So I would like to know how the past 2 and a half decades have affected the theories in this book.
I also note that the author taught at Princeton University (he died in 1997), so his theories ought to have received a hearing. But apparently the follow-up book he intended was never published, and he was considered somewhat of a maverick, if not quite a crackpot. This website offers some perspective: [...]
His theory, in simplest terms, is that until about 3000 years ago, all of humankind basically heard voices. The voices were actually coming from the other side of the brain, but because the two hemispheres were not in communication the way they are now for most of us, the voices seemed to be coming from outside. The seemed, in fact, to be coming from God or the gods.
So far, so good. That is certainly imaginable to most of us, because we know that schizophrenics and some others still hear voices in apparently this manner today.
But he also posits that many sophisticated civilizations were created by men and women who were all directed by these godlike voices. What is not very clearly explained (a serious gap in his theory) is how all the voices in these "bicameral civilizations," as he calls them, worked in harmony. But his theory is that ancient Greece, Babylon, Assyria, Egpyt, and less ancient but similar Mayan and Incan kingdoms were all built by people who were not "conscious" in our modern sense.
When one hears voices, whether then or now, the voices tend to be commanding and directive, and the need to obey them compelling. Free will is not possible. And so the people who built the pyramids were not self-aware as we are, did not feel self-pity, did not make plans, but simply obeyed the voices, which somehow were in agreement that the thing must be done.
Again, when he mentions that hypnosis may be triggering a reversion to a similar kind of consciousness, in which a voice, somehow channeled through the sub-conscious rather than the reasoning part of the brain, has an unusual compelling quality to it, and enables a person to do things that in their conscious analytic mind they are unable to do, we feel that we do have a glimmer that such a state of being is possible.
Of course, he connects these ideas to schizophrenia, seeing that as a throw-back to an earlier kind of mind-state, though now socially unacceptable and also unacceptable to its victim, who retains a remembrance of what it was to have control of his or her own mind.
He also sees prophets as remnants of the older mind, still able to hear the voices after most people had lost the ability. And he sees idol worship and modern religious behavior as both signs of a longing for the lost certainty and simplicity of a world in which decisions didn't have to be made, and all were of one accord as to what the gods wanted done.
I don't see much evidence for the pastoral simplicity which he thinks the bicameral mind lived in. But I do think that it is possible that not only ancient people but even many modern people have mind-experiences that are very different from our individualistic, introspective, self-determined ideas. In fact, I think relatively few human beings question and ponder and change belief systems as we might. The feeling of being adrift in a world that we can't understand, struggling with questions about everything, is far from universal, I think.
It is pertinent that he calls the shift from bicameral (two houses) to modern consciousness a "breakdown." He sees the shift as happening in response to crises and threats in the environment, but he doesn't present it as necessarily positive, and certainly not as pleasant to those living in its shadow. He sees the cries of the Jews and many other people for God to "rend the heavens and come down," to "not forsake them," as cried from people who no longer hear the "voices" that seemed to be the gods, and who desperately miss them.
In view of individuals such as Mother Teresa, who at one point had a clear inner sense of being directed by God (not necessarily actual auditory voices) and then lost that sense of presence and had to walk blindly thereafter (or silently would be a better metaphor), perhaps we would agree that the experience of the gods or God going silent not only happened at large in human history but is often recapitulated in individuals' personal history as well.
If Jaynes is on to something (and I think he is, though I think he may have pushed his "theory of everything" too far and lost scientific credibility), his theory does help us understand why there is a widespread belief that in Biblical times, God interacted with people in a very different way than He does now. The Bible, and other holy books as well, are remnants of a time when human beings own inner sense of right and wrong, clean and unclean, enemy and neighbor, were experienced as coming from outside of them, from disembodied voices that commanded great power. As the mind (or brain) developed, this split healed (or this mind broke down?) and this knowing become a still small voice in many people, and in others a resounding silence.
The question remains: should we take the reductionist view, and look at all religious ideas as merely misunderstandings based on schizophrenic-like delusions and hallucinations? Or should we take the view that God, who in times past spoke to us in fire and plague and audible voices (and later in dreams and visions) has now become one with humanity and speaks to us in the silence of our own hearts?
A fascinating book, raising as many questions as it answers, but well worth the reading.

237 of 249 people found the following review helpful.
Fascinating thesis
By James Frohnhofer
Why is it that the characters in the Epic of Gilgamesh, the Iliad and the oldest books of the Bible behave in a manner that seems utterly alien to modern readers, but by the time of the New Testament and the classic Greek dramatists charcters seem to have the same feelings and motivations of modern man? Jaynes addresses this question, among others, in one of the most thought provoking books I've read.
Basically, he posits that lacking full consciousness (yet having language), prehistoric man's actions were often governed by voices, which are in many ways similar to certain forms of schizophrenia. His full argument is much deeper and far more subtle than I can deliver in a one-line synopsis.
The book is not a drum-beating New Age manual for making peace with our proto-selves, although many readers seem to have taken just that away from his discussion on the origins of religion.
The thesis is, of course, utterly unproveable, and both orthodox classicists and anthropologists are at odds with it. But it is remarkable in its originality. One needn't be convinced by the book to enjoy it; read it purely for Jayne's breadth of knowledge and his originality of thought and it will be well worth your time.

144 of 151 people found the following review helpful.
A paradigm-buster par excellence
By Timothy Dougal
It's hard to describe exactly what this book did to me. Suffice it to say that my views on history, religion, language and consciousness seem to be permanently altered, and my reading and thinking have broadened as a result. Jaynes defines conscousness too narrowly for some philosophers and psychologists, who seem to want it to include all of perception, but for me, his focus on interior dialogue, conceptual space, the notion of self, the ability to narratize and project this self into theoretical situations, is right on target. These are the kinds of things that create our notions of ourselves as human. Considerable space is devoted to anatomy, and split-brain studies, but the bulk of the book relies on archaeology, ancient art, ancient texts, and their use of language. This is the thrust of Jaynes' argument: consciousness arose only relatively late in human development, appearing first in the Middle East at the end of the second millenium BCE., and this consciousness was dependent on language. He theorizes that the right hemisphere of the brain was specialized to recall longterm information, as the left was (and still is, in most people) specialized for language. Pre-conscious people, he contends, hallucinated instructions of a super-ego-like nature generated in the right brain. In the simplest, small scale, early societies, these hallucinations were attributed to ancestors, chiefs, or kings. Eventually they were attributed to gods. As societies became increasingly complex, personal hallucination as a guiding force in life declined in value, and modern consciousness was born. To make his case, Gilgamesh, the Iliad, the Odyssey, Hesiod, and the Bible are examined, ancient carvings and burial practices are considered, and the evolution of religious practices involving idols, sacrifices, prophecy, omens and divination are all looked at. They give support to Jaynes' contentions and open the mind of the reader. This is a book that keeps on giving.

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Selasa, 08 November 2011

[T337.Ebook] Free Ebook Overcoming Witchcraft (Combatting Spiritual Strongholds) (Combatting Spiritual Stronholds Series), by Rick Joyner

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Overcoming Witchcraft (Combatting Spiritual Strongholds) (Combatting Spiritual Stronholds Series), by Rick Joyner

Simple, straightforward, biblical wisdom for overcoming one of the most destructive evil strongholds afflicting Christians today.

  • Sales Rank: #245948 in eBooks
  • Published on: 2010-08-29
  • Released on: 2010-08-29
  • Format: Kindle eBook

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30 of 40 people found the following review helpful.
Witchcraft is a Cruel "RELIGION"
By J. Odom
I came across this book as I was looking for a good resource for fighting the demons entities that witches dispatch. I have glanced over some of the remarks from wiccans on this site and felt that those individuals do protest too much!

I am closely related to an individual who is into witchcraft. I can say from personal experience that witchcraft does have negative power that hurts people. Witchcraft is a one of the most selfish "religions" there is. The concept sounds so nice. Nature, family and other such warm fuzzies. But the very core problem is that man without God ( not the watered down version of the occult) is naturally selfish and self-serving. I am by no means an expert on Wicca or any other such thing nor do I really care. But I do know first hand the pain that one selfish witch can inflict on a person. On the little reading I had done on Wicca is that they are exhorted not to use the "magic" in a way that would harm someone. But you put any self-minded individual under enough stress, get them envious enough or greedy enough and I know that person will resort to harm. It is the very nature of man without a living and loving God. I have felt the cruelty of a spell But also I know the power of prayer and my praying spouse knows how to pray too, and the witchcraft will not prevail.

So witches be not decieved your "religion" will never change the truth that a man needs to die to his selfish self -oriented life and that he needs a personal real God to accomplish that. Sure there is some power in witchcraft but that is only because you are manipulating the forces of hell perhaps even mistakenly. But these very forces will be joyously carrying you to hell someday. And they will be laughing at you all the way. I have no hatred toward you and undertand you just don't know what real power is. I will pray for your soul. This book is awesome and I think anyone who wants to understand what REAL spiritual power is then this book is a great resource. Thanks

13 of 18 people found the following review helpful.
An Incredible Exposition of Witchcraft
By A Customer
I thoroughly enjoyed it. I have been a Christian for over half my life, and I realized, through this book, that I had a lot of the biblically defined traits of witchcraft. Joyner discusses witchcraft in the biblical sense of manipulation and rebellion. He mentions very little about our culture's stereotypical definition of witchcraft. This book definitely brings a whole new level of one's understanding of witchcraft. I never really knew I dealt with witchcraft in my life until I read this book. I highly recommend it - especially if you are a "manipulative" person. Blessings!

4 of 6 people found the following review helpful.
IF YOU READ VERY CAREFULLY - ERROR ON PAGE ONE
By SuzanOF
Part I - The Stronghold of Witchcraft from Kindle preview: "Satan is NOW being cast out of the heavenlies and down to the earth, where he is coming with great wrath."
BUT that is not what the Bible says!
"Satan set out on an irrational course to seize for himself God's authority over the universe (Isaiah 14:12-14). Some commentators believe that this revolt of Satan towards God occurred after the creation week, but before the fall of man (Genesis 1:31; 3:1-6). It appears that the Devil became the prince of this world when he led man (Adam and Eve) to sins against God and thus brought the ruler of earth under his domination (Genesis 1:26:3:1-6; John 12:31; Colossians 1:13; Acts 26:18)." (PRACTICAL CHRISTIAN THEOLOGY, by Floyd H. Barackman, p. 176)

Jesus did not bow down during the temptation and thus is not the ruler of this world... Satan is.
The author is a proponent of the doctrine of "ultimate reconciliation" between The Lord of Abraham, Issac and Jacob and those who rebelled and were cast down to earth. Let the buyer beware and carefully examine each statement.

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Kamis, 03 November 2011

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Warpaint Series No. 57 - Handley Page Hampden and Hereford, by Alan W. Hall

  • Sales Rank: #7322316 in Books
  • Published on: 2000
  • Binding: Paperback

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