[C802.Ebook] Ebook How to Become an Intellectual: 100 Mandatory Maxims to Metamorphose into the Most Learned of Thinkers, by Nick Kolakowski

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A Capacious and Quintessential Guide

Maxims:
#1: Carry a Scholarly Book (at All Times)
#12: Know Your Manet from Your Monet
#14: Be Proficient in at Least One Classical Instrument
#64: Learn to Recite Romantic-Era Poetry on Cue

If you think you need a PhD in Greek and Roman philosophy from an Ivy League school to call yourself an intellectual, reconsider your supposition. While you may envy the initials that follow distinguished names of professors and the intellectual elite, it's not the mortar board and scholarly robes you need—it's the obscure esoterica. In this primer, you'll learn to walk the talk of the intelligentsia, leaving simpletons and pseudo-intellectuals in your dust.

Inside How to Become an Intellectual, you will find the prodigious truths every self-respecting learned person lives by. This code of scholarly behavior allows aspiring high-brows like yourself to educate their unfortunate lessers, amaze their Mensa friends, and impress their fellow wise people—one distinguished bon mot at a time!

• Sales Rank: #709120 in eBooks
• Published on: 2012-03-18
• Released on: 2012-03-18
• Format: Kindle eBook

About the Author
Nick Kolakowski is a magazine editor and journalist. Currently a staff editor for eWeek.com, Nick has written for McSweeney's, Playboy, WebMD, AutoWeek, Washington Flyer, LOST Magazine, AARP the Magazine, and DC Style, and freelanced for The Washington Post and Washington City Paper.

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8 of 8 people found the following review helpful.
Entertaing satire with a lot of truth in it as well. Enjoyable and recommended!
By [KNDY] Dennis A. Amith
I remember watching a scene from Whit Stillman's 1990 film "Metropolitan", about a not-so-rich college student named Tom Townsend, who attends events where intellectuals go to and when he somehow ends up going to a party with them. He discusses conversations about Lionel Trilling, Fanny Price, Jane Austen novels, etc. And right after high school, I found myself connecting to this film because I wanted to be part of this circle of intellectuals.

Granted, I was not born a WASP, nor would I be attending an Ivy League college, nor was I born in a wealthy family but I had a thirst for intellectual conversations, I had a strong interest in foreign cinema, art, politics, opera and classical music.

How the 18-year-old me, would have loved to read Nick Kolakowski's "How to Become an Intellectual: 100 Mandatory Maxims to Metamorphose into the Most Learned at Thinkers".

A hilarious, fascinating and fun book, Kolakowski's book has a lot of truth in it but also things that shouldn't be taken to literally. In the book, Kolakowski offers 100 maxims, several paragraphs of why, a theory into practice of how one can include it in their life and the inevitable footnote.

For example, Kolakowski's first Maxim is to "Carry an Intellectual Book (At all Times)". Personally, these days, I know of no one who carries a book with them at all times, unless its on their iPad, Kindle Fire or Nook (including magazine subscriptions which I see many friends downloading digital copies to their tablet), but aside from the conversations of books at a restaurant or event, to a person's home to look at their library with a plethora of books, it's all about one's willingness to engage in conversations about books and know what people are talking about. While there are some who will understand the conversations of authors. My personal feeling is if one reads books continually, you can easily get into the conversation of explaining what the book is about and make one curious.

And when it comes to books, I go back to "Metropolitan" for the popular quote by Tom Townsend:

AUDREY: What Jane Austen novels have you read?

TOM: None. I don't read novels. I prefer good literary criticism. That way you get both the novelist's ideas as well as the critics thinking. With fiction, I can never forget that none of it ever really happened, that its all just made up by the author.

Another Maxim featured is #4, "Learn Some Truly Enormous Words". When I was working in politics, one of my mentors would recommend me to purchase a book of words that I need to know. She was big on cultural literacy but when I went to college, my professor was adamant of not using big words because people will not know what the heck I'm talking about.

It's been years since I've graduated and I admit that for a short time, I strayed away from using words that most people don't know. But that changed. Reading books from my favorite writers, books from film critics and even knowing people like myself who would read a dictionary and mark the words down such as author and former 20/20 correspondent Aliza Davidovit (I highly recommend her book "The Words that Shaped Me" - The Words That Shaped Me: A journalist's brilliant, touching and hilarious journey through the dicti), there is nothing wrong with using big words. In fact, my friends and associates tend to use them quite a bit. But there is a time and a place to use these words. Great among your intellectual circle of friends, great for your written article or review but not used with everyone.

Maxim 15 is about "Understand Opera, Even If You Never Enjoy It". I grew up on rock n' roll, R&B and hip-hop. And also, some country and '50s songs. But has anyone watched "Pretty Woman" and you saw the character played by Julia Roberts attending her first opera and was passionate about it right after. I knew nothing about opera but that scene struck me and I went out and purchased "La Traviata". Since that day, I've watched opera, I have friends that enjoy opera and I have a considerable collection of opera CD's and old cassettes. With that being said, I'm not an erudite when it comes to opera, nor will I enjoy everything. But I was happy to see that Kolakowski included it in this book.

Maxim 20 is about "Follow Museums Like Others Follow Sports Teams". I find this true especially when engaging in conversations with artists who have embraced art worldwide. There is also a lot of name dropping about this museum and that museum, the technological use of Google Maps of Museums to which museum would you want to go or enjoyed? I've only been to a handful of museums in America but I try to keep up to date of other museums around the world that I would want to go to and why.

Maxim 24 is about "Include Art Films In Your Movie Collection". I highly agree with this! As there are conversations about books, politics and the state of society, I find myself in intellectual discussions about cinema. As Jean-Luc Godard has said, "Everything is Cinema" and it is true. You learn so much through cinema, about history, about books, about art... From the directors of Nouvelle Vague, learning about Italian Neorealism, Weimar cinema to German Expressionism, American cinema from the silents, slapstick comedy, film noir, Russian Cinema, Japanese cinema to Kurosawa, Ozu to Oshima and more. It's very good to know your cinema and before it was quite expensive to purchase Criterion Collection, Kino or Masters of Cinema DVD's or Blu-rays but fortunately, you can find foreign cinema through Netflix and Hulu.

Maxim 51 is about "Become a Foodie Like a Roman Emperor". I grew up with a grandfather who cooked Italian food but was raised with eggs, spam and corn beef and whatever was sold by McDonald's, Burger King, KFC and Denny's. I can eat food but never understood food. But in this Internet age of Yelp and Food Channel, I found myself going to restaurants with friends, spending money on expensive dishes to trying dishes from different ethnicities. My friends are foodies to the point that after they eat, they must blog about it and type their experience on their cell phone. While it's great being a foodie, it's also a pain in the arse as one would have to spend a lot of money daily or at the grocery store or specialized store for ingredients.

But these are a few of the examples you can find in Nick Kolakowski's "How to Become an Intellectual: 100 Mandatory Maxims to Metamorphose into the Most Learned at Thinkers". There is a lot that one can learn from this book about how to become an intellectual or just be amused of what is featured..some that make sense and some that are interesting.

Sure, in some ways it is quite vain and some people may raise their eyebrows and not care about the things that are featured in this book. But if you have a personal disdain towards these things to begin with, this book is not for you.

But if you are curious, someone who is intellectual and just wants to see how far Kolakowski takes things in this book or someone that may want to learn a few things and implement it in their lives, then definitely give Nick Kolakowski's "How to Become an Intellectual: 100 Mandatory Maxims to Metamorphose into the Most Learned at Thinkers" a try!

Enjoyable and recommended!

4 of 4 people found the following review helpful.
Divinely Hilarious!
By Irish
How to Become an Intellectual - 100 Mandatory Maxims is a must read. This refreshing take on intellectuals features belly laughs on each page along with morsels of truth and great advice! If you'd like to know which books to carry around to make you look smart, or which operas you should familiarize yourself with, look no further. I've greatly enjoyed reading Nick Kolakowski's views on appearing intellectual to peers - what kind of jokes to tell, what type of internet signature to have, how to sign a signature for the greatest impact, all great advice to put one ahead of the masses on the scale of intellect.

Each little chapter has a theory and then an example of how to put the theory into practice and then each theory and practice has the inevitable footnote. He covers each subject in a funny, exhilarating way and provides much food for thought as well as tidbits of facts to grow the brain. Each page of this book is a treat. Read it when you need a little pick me up or when you feel you could use some advice after making an unforgivable social blunder in front of the smarties at work. You'll soon feel refreshed and ready to go and put some of these theories into practice. I haven't found the time to choose an instrument to play but I have given thought to pulling out the old jacket with the worn elbows and have decided to choose my jokes wisely and I try not to quote Shakespeare or succumb to the temptations of using Latin phrases too often.

Great book, well written, refreshing and very clever. I am leaving this book around the house so others can absorb the knowledge and become more intellectual to keep up with me.

3 of 3 people found the following review helpful.
Lightweight and Fun Guide to Intellectual Etiquette
By William Carpenter
How to Become an Intellectual: 100 Mandatory Maxims to Metamorphose into the Most Learned of Thinkers by Nick Kolakowski is amusing and entertaining. Divided into dozens of two and three page maxims covering a wide range of topics. Here you will find advice on such things as choosing your intellectual role model, knowing the basic chess moves, and being wary of spell check. Each maxim states the main point, discusses how to put it into practice, and ends with a usually humorous footnote.

The book is really a guide to etiquette for those that want to leave the favorable impression of an intellectual person when interacting with others. Resist the temptation to show off, whether it's your cell phone, your alma mater, or your Latin. Be engaging and courteous by being polite, losing a debate graciously, and making dinner fun. This book has lots of good advice - and some amusing fluff.

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This volume examines peace museums, a small and important (but often overlooked) series of museums whose numbers have multiplied world-wide in recent decades. They relate stories and display artifacts―banners, diaries, and posters for example about such themes as: art and peace, antiwar histories, protest, peacekeeping and social justice and promote cultures of peace. This book introduces their different approaches from Japan, which has the largest number of sites, to Bradford, UK and Guernica, Spain. Some peace museums and centers emphasize popular peace symbols and figures, others provide alternative narratives about conscientious objection or civil disobedience, and still others are sites of persuasion, challenging the status quo about issues of war, peace, disarmament, and related issues.

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• Sales Rank: #4700620 in Books
• Published on: 2015-12-21
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .60" w x 6.20" l, .0 pounds
• Binding: Hardcover
• 236 pages

About the Author
Joyce Apsel is a professor in the Global/Liberal Studies Program at New York University and was a recipient of the 2009 NYU Distinguished Teaching Award. She is a board member of the International Network of Museums for Peace and President of the Institute for the Study of Genocide.

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• Sales Rank: #4275319 in Books
• Brand: Brand: AuthorHouseUK
• Published on: 2012-07-09
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .29" w x 6.00" l, .40 pounds
• Binding: Paperback
• 128 pages

Features

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About the Author
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The sexiest star of the highest-rated comedy on cableSex in the Cityputs jokes aside, and explains the secret to pleasing a woman in bed. Kim and her husband have put together an artfully and elegantly designed, very explicit how-to sex book, based on feedback from the show, and their own experience, meant to help couples achieve one goalthe female orgasm.

• Sales Rank: #103085 in Books
• Published on: 2002-01-01
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .75" w x 8.75" l, 1.65 pounds
• Binding: Hardcover
• 144 pages

Amazon.com Review
Pleasing color sketches and simple diagrams adorn the pages of Satisfaction: The Art of the Female Orgasm by famed Sex and the City actor Kim Cattrall and her husband, jazz musician Mark Levinson. The fact that Cattrall's character on the show, Samantha Jones, is a sexual giantess is likely to bump up sales a notch for this attractive, children's-size book, but nevertheless it's a very worthwhile read.

Simple concepts--open communication, trust, love, and a consistent interest in pleasing one another--are the ingredients for an enriching and fulfilling sex life that can bring two people ever closer, according to the text. The facts speak for themselves: when pressed, women will confess in droves that they are sexually frustrated. It's tricky to communicate one's carnal desires to one's lover, yet both parties must be open to this type of ongoing discussion for the formula to work.

Meanwhile, a little education for men can go a long way. The concepts are basic--anyone who isn't a virgin probably knows them. But the rub lies in the consistency, the selflessness, and the patience required of the man. Cattrall and Levinson ask their male readers how they'd feel if they experienced some physical pleasure during lovemaking but never got to climax; they would likely get frustrated after a while. So an abiding devotion to pleasing the woman is a basic assumption throughout, and one that isn't commonly pointed out in such an open way elsewhere. Some readers may think Cattrall and Levinson's approach offers nothing new or exciting, but this honest reminder of what it takes to be a sensitive and satisfying lover is just what the doctor ordered. --Teri Kieffer

From Publishers Weekly
"Some people... assume that for me to play a sexually open character, like Samantha Jones on HBO's Sex and the City, I must have had fabulous sex most of my life. Well, the truth is that until three years ago most of my sexual experiences were miserable," confesses Kim Cattrall, in Satisfaction: The Art of the Female Orgasm, a slim yet pensive guide to pleasing women in bed. Simple sketches accompany the dry text (written by Cattrall and her husband, Mark Levinson), explaining different techniques men and women can use. This book is decidedly unflashy and its approach is not at all brashly sexual (like Cattrall's TV character). Rather, it is a thoughtful manual on women's orgasms.

Copyright 2002 Cahners Business Information, Inc.

Review
"Kim Cattrall breaks all the rules. Not only is she more stunningly seductive than her fellow stars in the TV series Sex And The City, but she's also established that passion and pleasure go on getting better the more grown-up you become." Good Housekeeping.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Not bad!
By Jon
No one technique works on every girl. However there is plenty of variety in this book. I'll have my wife read it and highlight her favorite parts.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Book is in a good condition. Thank you.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Best sex help book on the planet

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[K504.Ebook] Download Ebook How Propaganda Works, by Jason Stanley

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Our democracy today is fraught with political campaigns, lobbyists, liberal media, and Fox News commentators, all using language to influence the way we think and reason about public issues. Even so, many of us believe that propaganda and manipulation aren't problems for us--not in the way they were for the totalitarian societies of the mid-twentieth century. In How Propaganda Works, Jason Stanley demonstrates that more attention needs to be paid. He examines how propaganda operates subtly, how it undermines democracy--particularly the ideals of democratic deliberation and equality--and how it has damaged democracies of the past.

Focusing on the shortcomings of liberal democratic states, Stanley provides a historically grounded introduction to democratic political theory as a window into the misuse of democratic vocabulary for propaganda's selfish purposes. He lays out historical examples, such as the restructuring of the US public school system at the turn of the twentieth century, to explore how the language of democracy is sometimes used to mask an undemocratic reality. Drawing from a range of sources, including feminist theory, critical race theory, epistemology, formal semantics, educational theory, and social and cognitive psychology, he explains how the manipulative and hypocritical declaration of flawed beliefs and ideologies arises from and perpetuates inequalities in society, such as the racial injustices that commonly occur in the United States.

How Propaganda Works shows that an understanding of propaganda and its mechanisms is essential for the preservation and protection of liberal democracies everywhere.

• Sales Rank: #21986 in Books
• Published on: 2016-12-06
• Original language: English
• Dimensions: 9.00" h x 5.75" w x 1.00" l, .0 pounds
• Binding: Paperback
• 376 pages

Review
Winner of the 2016 PROSE Award in Philosophy, Association of American Publishers

"Provides valuable insights into an important and timely subject."--Michiko Kakutani, New York Times Book Review

"[T]he book crackles with brilliant insights and erudition, while also managing to explain the arcane preoccupations of analytic philosophy in a way that's accessible to a wider audience."-Bookforum

"How Propaganda Works deserves huge praise and should be read by anyone who cares about politics and language. Its trove of tools and insights is impossible to completely summarise here."--The National

"As with other books that expose hidden patterns in American political life from a great height (those that come to mind are Edward S. Herman and Noam Chomsky's Manufacturing Consent and Michelle Alexander's The New Jim Crow), the lofty perspective of How Propaganda Works challenges researchers to fill in gaps with more detailed, particular explanations of how and why."--Stephen Siff, Journalism & Mass Communications Quarterly

"Rich and thoughtful. . . . The best way to fight propaganda is to become savvier about how it manipulates, how it actually works, as Stanley does in his work."--Desmog Canada

"Brilliant and incisive."--Survival: Global Politics and Strategy

"[A] timely and important work that contributes a good deal of theoretical understanding to a crucial yet relatively neglected topic of inquiry."--Spinwatch

"A book uniquely suited to its time. . . . An example of political philosophy at its finest."--Voegelinview

"Stanley tracks propaganda's history across continents and through decades, illuminating its power to make people vote against their own best interests. And what he has found is [that] the words being used may be as important as the politics behind them."--Nick Osbourne, Boston Globe

"Citing examples ranging from historical racism in America to Citizens United, Stanley's critique of propaganda and ideology will only prove more influential as public and political opinion is further polarized. . . . [A] useful examination of propaganda's pervasiveness."--Kirkus Reviews

"Stanley has produced a highly stimulating book that brings the issue of propaganda to the attention of political philosophers and draws on an impressive range of philosophical and social scientific sources to illustrate his analysis and provide support for his claims. It is bound to be widely discussed and debated."--Jonathan Wolff, Analysis

"A searching, eclectic, lively and personal book."--Matthew Festenstein, Political Theory

From the Back Cover

"Jason Stanley's How Propaganda Works is a novel and significant contribution that should revitalize political philosophy."--Noam Chomsky

"Filled with compelling examples, this book examines what propaganda is and what threat bad propaganda poses for democracy. The case it makes--which is conceptual, normative, historical, and empirical--is persuasive and provocative. Stanley is tackling an important topic that many philosophers ignore but shouldn't."--Tommie Shelby, author of We Who Are Dark

"This ambitious book brings Stanley's insights from epistemology and philosophy of language to bear on the self-masking role of propaganda in democracy. Generous use of concrete political applications enliven the book's arguments and drive home the topic's normative importance."--Rae Langton, University of Cambridge

About the Author
Jason Stanley is the Jacob Urowsky Professor of Philosophy at Yale University. He is the author of Knowledge and Practical Interests, Language in Context, and Know How.

Most helpful customer reviews

25 of 29 people found the following review helpful.
Invaluable for Getting Through the Election of 2016
By plgoldsmith
I am very deeply grateful to this book for helping me through this tempestuous election year (2016). Be forewarned: this is a work of philosophy. It's dense. While it is readable, it takes some effort for people who don't have a philosophical background. But I don't have a background in philosophy, and I was able to absorb it. I took my time and worked through it slowly. What you have here is not reasoned opinion supported by evidence but a valid argument with evidence and examples. At a time when propaganda is literally grinding the earth to pieces, this has been an invaluable resource for me. I feel I now have a foundation for understanding what I take into my nervous system on a daily basis, even with careful filtering of news sources. I highly recommend this book to anyone who wants to investigate the origin and power of the illusions that distract us from the single task we should all be focused on, the one that won't wait: how to mitigate and hopefully survive climate chaos.

55 of 59 people found the following review helpful.
Not What One Might Expect - a very short review/disclaimer
By David P
Each successive generation is abound with new information extolling the machinery of propaganda and how it works. Stanley's analysis is not in the mechanical disposition of Bernays, but belongs to an unusual canon of philosophy nestled between the analytic and continental traditions. You're less likely to find reference to Walter Lippmann than you are to Ludwig Wittgenstein or Victor Klemperer; it is a really unconventional, flawed, but necessary read. It opens, as one might expect, with the exemplar of propaganda: the Third Reich. The initial pages aren't circumscribed to Goebbels and his propaganda ministry, but to the syntactic structure of language that was typical of the regime's public addresses, ordinances, and policies. Our introduction to the world of propaganda might seem a little pat to cushion it in the folds of totalitarianism; however, Stanley is not at all interested in demarcating the moral degrees of propaganda - to any inquiring mind, as far as he's concerned, the truth is the truth. Stanley provides numerous examples of propaganda, from the pre-Christian era to the present day, where deft exploitation of the language inscribed in Detroit's municipal legislation saw the severance of water and electricity across its urban territories. Stanley's work, though, is not a chronology of the excesses of propaganda and its permutations throughout the ages, but a thorough evaluation of its epistemology. Bearing this in mind, one ought not to be surprised that this is largely an exercise in philosophy, as opposed to political science. This is closer in tone to Chomsky's "Manufacturing Consent," a text that stands at the crossroads between political analysis and linguistics, than to the foundational work of Bernays or Lippmann. I must admit that my initial response to the book was one of disappointment, but that was due to my anticipation of its content. It's not that my expectations weren't met, rather they were reserved for a different book. I am not a philosophy major, but have pursued the discipline privately for years; however, those unfamiliar with subjects like the semantic meaning of language would do better to invest their time with Wittgenstein, Kripke, Quine, Searle, et al, before reading this. Those who have a passing understanding of the analytic tradition will likely appreciate what it's going for. This certainly isn't, despite its unassuming title, an easy book to read. If you are interested in reading about propaganda in the sense generally understood, then I'd recommend the authors previously mentioned, especially Lippmann and Chomsky. To Stanley's credit, though, this isn't a deliberately obscure work, but the culmination of intellectual trends in 20th and 21st century philosophy and sociology. I recommend it all the same.

1 of 1 people found the following review helpful.
While the book has its merits, the author needs ...
By J
While the book has its merits, the author needs to speak in a more plain language. I am an academic myself, and I started with enthusiasm, but that soon devolved in boredom.

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[R381.Ebook] PDF Download Music Theory for Computer Musicians, by Michael Hewitt

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Many DJs, gigging musicians, and electronic music producers understand how to play their instruments or make music on the computer, but they lack the basic knowledge of music theory needed to take their music-making to the next level and compose truly professional tracks. Beneath all the enormously different styles of modern electronic music lie certain fundamentals of the musical language that are exactly the same no matter what kind of music you write. It is very important to acquire an understanding of these fundamentals if you are to develop as a musician and music producer. Put simply, you need to know what you are doing with regard to the music that you are writing. Music Theory for Computer Musicians explains these music theory fundamentals in the most simple and accessible way possible. Concepts are taught using the MIDI keyboard environment and today's computer composing and recording software. By reading this book and following the exercises contained within it, you, the aspiring music producer/computer musician, will find yourself making great progress toward understanding and using these fundamentals of the music language. The result will be a great improvement in your ability to write and produce your own original music!

• Sales Rank: #28788 in Books
• Brand: Cengage Learning
• Published on: 2008-04-02
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 7.25" w x 1.00" l, 1.51 pounds
• Binding: Paperback
• 336 pages

Features

• Used Book in Good Condition

Review
Introduction Chapter 1: Musical Sound Chapter 2: The Notes Chapter 3: The Major Scale Chapter 4: Rhythm, Tempo and Note Lengths Chapter 5: Score Editing Chapter 6: Intervals Chapter 7: Meter Chapter 8: Chords Chapter 9: The Natural Minor Scale Chapter 10: Melody and Motives Chapter 11: The Harmonic and Melodic Minor Scales Chapter 12: Augmented and Diminished Intervals and Interval Inversions Chapter 13: Chordal Inversions, Octave Doubling, and Spacing Chapter 14: Additive Rhythms Chapter 15: Expanding Your Knowledge of Keys Chapter 16: the Pentatonic Scale Chapter 17: Major, Minor, Augmented, and Diminished Triads Chapter 18: Chord Progressions and Root Movement Chapter 19: The Cycle of Fifths Chapter 20: The Seven Diatonic Modes Chapter 21: Chords of the Seventh Chapter 22: Exotic Scales Chapter 23: Complex Harmony Chapter 24: Arpeggiation Chapter 25: Intonation Chapter 26: Conclusion Appendix A: Scales Appendix B: Audio CD and Accompanying Text Sidebars

About the Author
Dr. Michael Hewitt was born in South Wales in the United Kingdom. He earned his bachelor of music degree at London University and a master's degree and doctorate at the University of North Wales, Bangor, where he specialized in musical composition. He is a classically trained musician, composer, lecturer, and author on musical subjects. He also writes classical scores as well as soundtracks for various television productions both at home and abroad. He is currently working as a music technology tutor at Coleg Harlech in North Wales.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Clearly explains theory in a straight forward, and easy to understand way.
By ron
Music Theory for Computer Musicians is written very well. I really like the way the song building on cord progressions is explained.
Where other theory books muddy the explanation this book makes it clear and simple. The use of diagrams, and the piano roll is very helpful. This book excels where other kindle formatted books have been lacking. That is in the display and layout of the explanatory figures that usually don't translate to the kindle editions well. I think this is a god theory book for any musician. I apply it to guitar, keyboard, and ukulele.

2 of 2 people found the following review helpful.
Good concept, poor execution
By DarkKnight22
The author is well qualified and doubtless incredibly talented as well, but I think this book falls short of its potential. As a complete novice in the world of music theory, I really felt that the early chapters were great, but that the later ones didn't include enough depth for me to understand what he was getting at. I know practice is important, but it is difficult to practice when you can't even understand what the author is getting at.

0 of 0 people found the following review helpful.
Absolutely AMAZING BOOK!!!
By emanicus
This book is absolutely AMAZING!!!! If you are self thought and played synths and keyboards all your life and you want finally get into the music theory then this book is definitely for you. It is very clear and constantly matches computer examples to pure music samples. very very well written and the exercises are not that easy like you normally find in these teaching books... they get tougher and tougher as you move up on chapters. there is a new version coming out this year and even if there very few changes in it compared with this older version I will definitely get me a copy.!!!

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Sometimes, you just owe too much money to the wrong people. Richard needs to pay off his debt fast, and agrees to work himself free in the most mysterious of ways - drinking a vial of strange liquid in a hotel room with a sexy young woman. They find themselves in each other's bodies, awash with new and overwhelming emotions that Richard can't control. Overcome with desires he doesn't understand, Richard is afraid of just how far he'll go in his borrowed body.

• Published on: 2013-12-27
• Released on: 2013-12-27
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Nice way to pay off a loan shark
By Debbie Ballard
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Enjoyable and erotic story about about paying off a debt
By Ken W.
I really enjoyed the Kindle book "Paying My Debts" written by Kaitlin Black. The story is always moving and there are no boring spots.

In the story a young man named Richard has a huge debt that he owes a young woman named Andie. She gives him a blue vial and tells him to drink it and then go to a hotel room and stay in it for an hour. By doing this he will be free from the debt that he owes her. Richard drives away to follow the instructions thinking that he got away with a fair deal for only an hour of his time. The story gets interesting for him because he has no idea about what will happen in that next hour!

0 of 0 people found the following review helpful.
Interesting Read!
By JD-NYC
I won't spoil the story by telling you want it's about, but suffice it to say that I think all of us guys have wondered what this experience would be like. Kaitlin does a great job of spinning a fantasy, sex tale of two curious lovers. It's well written, highly erotic, and filled with raw, hard sex.

I think you'll enjoy it if you let your mind go, and roll with the fantasy!

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[Y119.Ebook] PDF Download Drawing Portraits for the Absolute Beginner: A Clear & Easy Guide to Successful Portrait Drawing (Art for the Absolute Beginner), by Mark

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Open this book as an absolute beginner, and come away as a proud portrait artist! Mark and Mary Willenbrink's Absolute Beginner books have helped thousands of novices tap into their inner artists. In this book, Mark and Mary help the beginning artist take on portraits, showing that absolutely anyone can draw faces. Their encouraging, easy-to-follow instruction style makes learning fun-you'll be amazed by how quickly you achieve impressive results. You may be a beginner now, but not for long! Drawing Portraits for the Absolute Beginner covers everything from warming up with sketches, and capturing facial expressions, to framing your finished work. Page by page, you'll build the skills and confidence you need to draw lifelike portraits of your friends and family. What's Inside: A simple two-stage approach to drawing portraits: sketch a likeness, then build up values to bring it to life Step-by-step instruction for drawing eyes, noses, mouths, hairstyles, hands, glasses and other tricky elements 13 complete demonstrations featuring a range of ages and ethnicities Tips for evoking more personality in your portraits by using props, costumes and accessories

• Sales Rank: #129353 in Books
• Brand: F&W Media
• Model: NLB-Y3380
• Published on: 2012-06-15
• Released on: 2012-06-15
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .40" w x 8.50" l, 1.54 pounds
• Binding: Paperback
• 128 pages

Features

• This book contains thirteen complete demonstrations featuring a range of ages and ethnicities
• Page by page you will build the skills and confidence you need to draw lifelike portraits of your friends and family
• Made in china

Most helpful customer reviews

35 of 36 people found the following review helpful.
Not for any skill level
By Serendipity
I'm not a beginner, but I sometimes read such books because I'm always looking for tips and techniques that can help me work faster. I'm a street artist and do portraits at cafes, parks, and fairs.

There are two big problems with this book. First, there is very little art instruction. Typical instruction: "Next draw the mouth." But not much about how to draw one. Much better and more extensive instruction is available all over the web for free.

The bigger problem is that the artist himself has spent too much time drawing a generic mouth, which he now applies to everyone. This is a trap we can all fall into when we practice drawing a generic feature over and over again. It's a thousand times easier to draw a picture of a pretty girl in your imagination than it is to draw a portrait of a real person sitting in front of you.

Furthermore, the artist doesn't have good control of shading, tones, and value. He demonstrates drawing a portrait from a photograph of an Asian woman. His finished drawing looks like the "before" effort from a Lee Hammond student. It is flat, the mouth is completely different from the subject's, and the hair is just plain ugly. It looks like a young person with some natural talent but no training drew it.

A man with a beard is also demonstrated. This effort is better, but again, the generic mouth jumps out at you. The mouth in the drawing is nothing like the mouth in the photograph.

The artist has a degree in fine arts, but never learned to see.

1 of 1 people found the following review helpful.
Excellent for beginners!
By Charis
Not only does this book enable absolute beginners to try their hands at portrait drawings, it also allows others with more experience to gain confidence and grow in their skills. The instructions are clear and the step-by-step approach makes it easy to understand. I will be looking at other books by these authors/artists.

2 of 3 people found the following review helpful.
One of the best available at Amazon covering this subject.
By skunktrain
I won't say it doesn't have its flaws. There were things that I could see could be better. But this book is BY FAR one of the better books available on Amazon for newbie portrait artists. It also instructs on different rendering techniques, instead of the (sadly, it seems) "standard" blending stump, that is often not done very well.

Yes, you should move on from this book eventually. But if you're a beginner and you want to be taught methods that won't leave you with some horrible bad habits later on, this is a much better book than many of the alternatives.

I've been a portrait artist for years, I work from life, I sell my work. Many drawing books available on Amazon right now are downright depressing, they are that bad. But this book is a breath of fresh air.

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[C142.Ebook] Ebook Download Wednesday Is Indigo Blue: Discovering the Brain of Synesthesia

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Wednesday Is Indigo Blue: Discovering the Brain of Synesthesia by Cytowic, Ri...

• Binding: Paperback

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[O931.Ebook] PDF Download Vilppu Drawing Manual Vol. 1: Infuse Life into Your Drawings with Gesture, by Glenn Vilppu

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When you are drawing, the last thing you want is to feel like your drawings seem inaccurate or disproportionate, that they lack volume or depth, and you especially don't want them to lack that key life-like feeling you are after. You want your drawings to express the feelings and actions of your character. You strive to capture their life-essence onto the paper or computer screen, along with the sense of volume and depth that make them convincingly real. In the Vilppu Drawing Manual series, you will get the 12 simple-to-use “tools” that are the basis for creating depth and life-like qualities, adding that realism you are after. This first volume in the series will provide you with the key tool for adding that feeling of "life" to your drawing.

Each volume in this series will cover one of the 12 tools, each taken from one of the chapters in the print version of the Vilppu Drawing Manual. The full manual is not yet available on Kindle, but as we add the remaining volumes, you will be able to acquire the entire manual. Alternatively, this can be a chance for you to preview the Vilppu Method and to use his techniques to improve your drawings.

• Sales Rank: #307346 in eBooks
• Published on: 2012-10-01
• Released on: 2012-10-01
• Format: Kindle eBook

Most helpful customer reviews

8 of 9 people found the following review helpful.
Didn't realize it wasn't the entire book
By Amazon Customer
This only contains the first chapter of this book. Nice short section on gesture drawing but there's nothing on completing the figure, drawing volumes, or any of the other stuff associated with figure drawing. Disappointed.

4 of 4 people found the following review helpful.
Miss leading. I thought I was purchasing the full manual. This only contains the first chapter.
By Aljulew
Miss leading. I thought I was purchasing the full manual, but this only contains the first lesson. Be sure to read the fine print before you purchase.

4 of 4 people found the following review helpful.
succinct to the most
By Nathalie
Doesn't take you very far, lacks simple lines, and starting points, nothing about the face, nose,ears which we see some details of on the drawings...

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